Review: Sarah Fimm – Near Infinite Possibility

Well, here we are–that lovely time of year where we sit in eager anticipation of a Sarah Fimm release. This time, we get it ahead of time in the form of streaming audio from this site!

Reading over the song credits for individual tracks, I immediately noticed that the musicians vary from track to track. The venerable Josh Freese plays drums on quite a few of the songs. If you’re not familiar with his work, check out A Perfect Circle. He’s an amazing drummer. I don’t recognize any of the other names, but if they’re playing with Sarah, I trust that they’re quality. Listening to this new CD, yah–they are.

The greatest and most obviously noticeable difference between this and the Karma Phala project is the minimalist electronic music that went in to this new offering. Whereas KP was heavily laden (and most beautifully so) with keyboard, synth and loops, Near Infinite Possibility picks up where Red Yellow Sun left off. The music is much more organic and instrumentally driven. Her voice becomes a blend of

Three tracks from Karma Phala make the leap to the new CD : “Everything Becomes Whole,” “Sing,” and “Invisible Satellites” are some of my favorite tracks from KP, and I’m glad to see them getting a greater distribution through the new CD.

The new CD has a sort of pysch-folk-rock sound to it. Some tracks have a very fundamental rock sound to them (listening to Flames at the moment), drawing on such classic acts as Skynard and Aerosmith (that’s the 70s version of Aerosmith … not the post-“Dude Looks Like a Lady” Aerosmith). If the streaming track list is representative of the CD track list, she saved one of the best for last. Reaching back to her classic rock roots and channeling the likes of CSNY and a hint of Simon and Garfunkel, we’re treated to “Morning Time.” Other tracks, specifically two of the aforementioned tracks from KP ((“Invisible Satellites” and “Everything Becomes Whole”), have a much more alternative sound to them.

On all of the tracks, Sarah’s voice warmly shines through and makes you wish you had heard of her much, much earlier than you had. There is just something about her that is absolutely riveting. There’s an inherent danger to listening to her music; if you are of the mind-set that fidelity in a marriage is important, then listening to her at work or on a business trip is probably not a good idea. Some locations that would be *perfect* to take in her music:

  • The Honeymoon suite in any given hotel in Niagara Falls
  • Bedroom
  • Living room
  • Kitchen
  • Laundry room (hey … why not mix it up, right?)
  • Secluded beach (cuz really, we don’t want to watch …)
  • Log cabin in the mountains by a well-stoked fire

You get my point, right? Her voice is the soundtrack to your love life.

The new CD comes out on May 5th. Get it. Hear it. Love it.



  1. A very nice review, but the Karma Phala Project was a compilation of Sarah’s previous 6 albums with 3 tracks from the upcoming Near Infinite Possibility album. I love the fact that Sarah gave the music away in order to foster a relationship of trust and giving between fans and lovers of music.
    A couple of other notable musicians on the new album are Earl Slick, lead guitarist for David Bowie and Sara Lee a bassist for the B52’s.

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  2. Much obliged, Anne! I fully admit that I’m relatively new to the Fimm world, but it’s a great place to be. 🙂 My impression of the KP Project is that there are a few tracks from her previous works, several unreleased tracks, and of course the three preview tracks. Either way, I love her stuff!

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  3. Spread the love!

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